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Tag: film

If there’s one A-Lister in this world that embodies the newly famed mob wife aesthetic to a tee it’s JLo, and her recent leather ensemble proves exactly that. 

Earlier this morning Jen took to her Instagram account to show off her all-brown ensemble, leaving all 253 million of her followers in awe. 

Jennifer Lopez wears an all brown ensemble on her Instagram© Instagram / @jlo
The mob wife aesthetic looks good on you Jen!

The outfit in question consisted of an autumnal-toned slim leather skirt, a plunging neckline leather vest top in a deep chocolate shade, sheer tights, patent brown heels and a floor-length textured coat. Jen accessorised her look with a hot cocoa-hued croc-print Birkin bag, a diamond necklace and oversized gold spherical earrings. She tied the whole look together with a glossy nude lip and loosely curled locks. 

The look caused quite a commotion in the comment section, with many friends and fans leaving heart emojis and “wow stunning” comments. 

Jennifer Lopez shares a close-up of her glam and jewels on her Instagram © Instagram / @jlo
Jen shared a close-up of her glam and jewels

She sported the glamorous and opulent look to celebrate the recent release of her documentary The Greatest Love Story Never Told, which launched today on Amazon Prime. 

The new doco, which already has an 8.2/10 rating on IMDB, follows Jen as she independently produces her ninth studio album This Is Me… Now,  a project dedicated to her twenty-year journey to self-love. 

Fans have been waiting patiently for the new flick to drop ever since she stepped out in her astrologically charged, Zuhair Murad zodiac gown at the film’s premiere earlier this month and they were not left disappointed. One 10-star review praised the award-winning actress and artist, commenting that “Her resilience and character shines through. It is so interesting that she is this grounded and full of self-love now and could probably

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Tom Ackerley and his production company LuckyChap — which he runs alongside wife Margot Robbie — aren’t new to the awards conversation. Their 2020 feature Promising Young Woman won an Oscar for best screenplay, their Netflix series Maid was nominated for three Emmys and their debut production I, Tonya nabbed star Allison Janney an Oscar for best performance in a supporting role. Yet Ackerley is adamant that he never considered Barbie‘s potential for critical success when they began work on the film over four years ago.

“I don’t think we ever go into a movie thinking about its acclaim or awards,” Ackerley tells The Hollywood Reporter. “But I do think that seeing the way the humanity of the story really connected with people — that started shifting our idea of what the movie could be. I think a large part of what made it an ‘awards movie’ was how meaningful it was for viewers.”

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Ackerley called THR during the middle of a whirlwind promotional schedule to discuss what he’s learned during his 10 years as a producer, what he remembers most from the making of Barbie and, of course, to make (yet another) comment on a potential sequel.

How did the early pitching process, especially in regards to Mattel, feel different than past projects?

Mattel was our first meeting, even before taking it to Warner Brothers. We went into the meeting really interested in the property but not really knowing what we would do with it or how we would crack it. If I remember correctly, we were either in production or post-production on Promising Young Woman, and we were going to start going into production on Maid, the TV show we did with Netflix. A big part of

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Katrina Kaif attends the premiere of Merry Christmas with Vicky Kaushal. (Pic: Viral Bhayani)

Katrina Kaif attends the premiere of Merry Christmas with Vicky Kaushal. (Pic: Viral Bhayani)

Katrina Kaif dropped jaws as she stepped out in a sexy black dress for the premiere of her film, Merry Christmas. She was seen with Vicky Kaushal.

Katrina Kaif turned heads as she walked the red carpet of her film, Merry Christmas’ premiere. The actress attedned the star-studded night in a breathtaking black dress. The little black dress featured a side slit and a strip of lace, adding the oophm to the outfit. Katrina made her way to the red carpet event with her husband, actor Vicky Kaushal. While Katrina dressed up for the night, Vicky dressed down for the night.

In photos and videos shared by paparazzi on social media, Vicky was seen wearing a blue, yellow and white stripped shirt which he styled with a pair of denim pants and a cap. The actor flaunted his Chava look on the red carpet. Watch the videos below:

Starring Katrina Kaif and Vijay Sethupathi, Merry Christmas also features Sanjay Kapoor, Vinay Pathak, Pratima Kannan, Tinnu Anand, Radhika Sarathkumar, Shanmugaraja, Kevin Jay Babu, Rajesh Williams, and Pari. Ashwini Kalsekar and Radhika Apte will also be seen in cameos in the film.

Director Vignesh Shivan shared the first review of the film on Wednesday on his Instagram Stories. He wrote, “Absolutely awestruck by the outstanding performances from @actorvijaysethupathi & @katrinakaif in this superbly written thrilling screenplay from the genius @sriram.raghavanofficial takes us back to Alfred Hitchcock times @ipritamofficial’s music is another major pillar, the last 30 mins is just tooo good! Enjoy it in theatres from Jan12th! Totally proud of you Makkal Selvan Vijay Sethupathi! You just held it all together with effortless ease.”

Last year, Katrina attended the Red Sea Film Festival in Jeddah and said that

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EXCLUSIVE: The Jackson Hole International Film Festival will debut December 8 to 10 in Jackson, WY, via a new partnership with the Hamptons International Film Festival.

The mountain town is a longtime destination for vacationers and outdoor sports enthusiasts and also home, at least seasonally, to a number of film industry figures. Among the latter is local resident Stuart Suna, former owner of New York production mainstay Silvercup Studios, co-founder of the Hamptons fest and founder of the new event in Jackson.

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The inaugural outing will feature eight narrative and documentary features, all selected by
Hamptons Artistic Director David Nugent. The opening film is I‘ll Be Right There, a comedy starring Edie Falco, Jeannie Berlin, Kayli Carter, Charlie Tahan and Bradley Whitford and exec produced by Falco and Jessie Eisenberg. It world premiered last month in the Hamptons.

“A film festival is a great way to stimulate artistic imagination and contribute to the culture of the community,” Suna said. “I can’t think of a better way to start this now annual event than with Brendan Walsh’s moving I’ll Be Right There.”

Other films on the docket include American Fiction, A Great Divide, Society of the Snow, Trees & Other Entanglements, Avenue of the Giants, The Taste of Things and They Called Him Mostly Harmless. Films will be screened at The National Museum of Wildlife Art in Jackson.

“We are thrilled to partner with the Jackson Hole International Film Festival on their inaugural festival. The expansion of the HamptonsFilm footprint partnering with a like-minded resort community has been a dream for many years,” said Anne Chaisson, Executive Director of the Hamptons International Film Festival.

“As we embark on our inaugural three-day event, our hope is to

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Hussain Currimbhoy is the new Artistic Director at Toronto’s Hot Docs.

The filmmaker takes the helm from Shane Smith, who left in June. Currimbhoy will begin his role immediately. He’ll lead programming for the upcoming 2024 Hot Docs Festival, held between April 25-May 5 in Canada next year.

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The job also gives him responsibility for Hot Docs Canadian International Documentary Festival, Toronto’s Hot Docs Ted Rogers Cinema and Docs for Schools, the organization’s national educational program.

Currimbhoy was born in Toronto and has worked as a film producer, director and film curator since 2002. He was executive producer on feature documentaries such as And, Towards Happy AlleysPraying For ArmageddonTomorrow’s Freedom and The Beloved and was the CMP’s Director of Investment and Global Strategy.

As a film programer he has worked for the likes of Sundance Film Festival, Sheffield DocFest, Melbourne International Film Festival, Nordisk Panorama Film Festival, Doc 10 and the Red Sea International Film Festival. This year he created and launched the Gåsebäck Film Festival, an independent film event in Helsingborg, Sweden dedicated to showcasing international cinema, regional short films and filmmaker masterclasses.

“It is an absolute honour to take up this position with one of my favourite film festivals, and in my hometown, no less,” said Currimbhoy. “I must paraphrase poet and author Mahmoud Darwish to sum up how I feel about delivering a new vision for Hot Docs: ‘When you see something beautiful, it breaks walls down.’ Together with Hot Docs’ world-renowned programming team and a lot of bonhomie, we will do just that. Our aim is to deepen our Festival and year-round programming to provide even more opportunities for our audiences to engage with the best of documentary film in all its forms.

Hot Docs has also

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Strange Way of Life, by Madrid director Pedro Almodovar, is the first short film produced by the Saint Laurent (Kering) production company. Released in cinemas on 16 August 2023, the film stars signature costumes by the luxury brand and a sleek aesthetic.

The story follows two cowboys, played by Ethan Wake and Pedro Pascal, who are pitted against each other by life (the former is a sheriff searching for the latter’s murderous son) but who have been united by passion for 25 years.

This queer western is the first film laurent-announces-launch-of-production-company/2023041368978″produced by Saint Laurent Productions, which was created on 22 February 2023 as a subsidiary of the fashion house. While its primary focus is on the production of films for the cinema, according to the company directory, the company does not have any employees.

The tone is set by Saint Laurent Production on the film’s poster and in its first credits panel, where it states “Saint Laurent by Anthony Vaccarello presents” a film by Almodovar. The brand acts as associate producer, and thus holds the rights to the film. It is also responsible for the costumes. This is a step up from sponsorship (product placement), which is financing to appear on screen, but which does not confer any rights.

This is the case, for example, of Almodovar’s second short film, The Human Voice, starring Tilda Swinton, which succeeds the western. In the introductory scene, we clearly recognise Balenciaga’s ball gowns (a futuristic red crinoline from the spring/summer 2020 collection), then a jacket by Dries Van Noten, an enormous bottle of Chanel number 5, and finally, we hear a “where’s my Chanel bag?”.

What kind of artistic freedom is there when a brand produces a film?

In reality, it is the same as when an entrepreneur or

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For Greta Gerwig‘s barbie” data-ylk=”slk:Barbie;elm:context_link;itc:0″ class=”link “Barbie, she needed to paint the world pink to achieve the correct aesthetic that has caught the attention of audiences around the world. With less than two months until the premiere of the live-action film, the teasers have unveiled a fantasy land, leaving fans in awe of the production behind the film.

In a recent profile on Architectural Digest, production designer Sarah Greenwood, set decorator Katie Spencer and director Gerwig explained how they managed to capture the essence of Barbie and specifically, Barbie’s iconic Dreamhouse. Gerwig said, “I wanted the pinks to be very bright, and everything to be almost too much.” She shared that “the ‘kid-ness’ was paramount” in evoking the feeling she has never forgotten from Barbie since she was a little girl.

In order to achieve the whimsical Barbie world, she needed a whole log of pink — pink props, sets, clothes, anything you can find. Greenwood said that in the effort to design a pink world, they needed the signature shade the company Rosco admitting that they sold out at the end, “The world ran out of pink.” After the conversation with the trio, the Los Angeles Times confirmed with the VP of global marketing at Rosco, Lauren Proud, who said, “They did clean us out on paint. There was a this shortage and then we gave them everything we could.”

The Barbie live-action film starring Margot Robbie and Ryan Gosling will be painting theaters in pink starting on July 21.

In case you missed it, The Office is getting an Australian adaptation.

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With a few mystifying teasers and less than two months until the premiere of the live-action “Barbie” film, audiences still don’t know exactly how the film will unfold. But the production team has started to reveal insight into the film — including how they caused an international pink paint shortage.

In a recent barbie-dreamhouse-a-fuchsia-fantasy-inspired-by-palm-springs/amp” data-ylk=”slk:Architectural Digest profile;elm:context_link;itc:0″ class=”link rapid-noclick-resp”Architectural Digest profile with production designer Sarah Greenwood, set decorator Katie Spencer and director Greta Gerwig, the group explain that they set out “to capture what was so ridiculously fun” about Barbie’s world, but especially that of Architectural Digest’s subject: Barbie’s Dreamhouse.

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“I wanted the pinks to be very bright, and everything to be almost too much,” Gerwig stated. She shared that “the ‘kid-ness’ was paramount” — evoking the feeling of never forgetting “what made [her] love Barbie” as a young girl.

“Why walk down stairs when you can slide into your pool? Why trudge up stairs when you take an elevator that matches your dress?” said Gerwig.

To achieve that whimsy, Barbie’s world needed to become just that — Barbie’s world. The only way the production team believed they could achieve the task was to create a world of pink props, sets, clothes and anything that was placed within the film’s frame.

That’s when Greenwood knew she needed to obtain that signature shade from the company Rosco until there was nothing left. “The world ran out of pink,” said the production designer.

Before running Rosco out of pink paint, Greenwood, Gerwig and the team built a set on the Warner Bros. lot in London, pulling inspiration from the Palm Springs’ Kaufmann House, San Francisco Queen Anne Victorian manse, Wayne Thiebaud’s paintings, as well as film history’s “Pee-wee’s Big Adventure” and Gene Kelly’s “An American in

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